{"id":78,"date":"2026-04-22T11:09:12","date_gmt":"2026-04-22T09:09:12","guid":{"rendered":"https:\/\/antoineguillot.com\/?page_id=78"},"modified":"2026-04-22T19:24:10","modified_gmt":"2026-04-22T17:24:10","slug":"theatre","status":"publish","type":"page","link":"https:\/\/antoineguillot.com\/index.php\/theatre\/","title":{"rendered":"Th\u00e9\u00e2tre"},"content":{"rendered":"\n<link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Cormorant:ital,wght@0,300;0,400;1,300;1,400&#038;family=Spectral:ital,wght@0,300;0,400;1,300&#038;family=Cormorant+SC:wght@300;400&#038;display=swap\" rel=\"stylesheet\">\n<style>\n:root {\n  --noir: #080808;\n  --rouge: #9B1D20;\n  --rouge-vif: #C0272D;\n  --ivoire: #EDE8DC;\n  --ivoire-pale: #F5F2EB;\n  --gris: #6a6560;\n  --gris-clair: #9e9890;\n}\n\n\/* HERO PAGE *\/\n.th-hero {\n  background: var(--noir);\n  padding: 9rem 6vw 5rem;\n  position: relative;\n  overflow: hidden;\n  border-bottom: 1px solid rgba(155,29,32,0.2);\n}\n.th-hero::before {\n  content: 'TH\u00c9\u00c2TRE';\n  position: absolute;\n  right: -1vw;\n  bottom: -1rem;\n  font-family: 'Cormorant', serif;\n  font-size: clamp(7rem, 18vw, 18rem);\n  font-weight: 300;\n  color: transparent;\n  -webkit-text-stroke: 1px rgba(155,29,32,0.1);\n  pointer-events: none;\n  line-height: 1;\n  letter-spacing: -0.03em;\n}\n.th-hero-label {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.65rem;\n  letter-spacing: 0.45em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 1.5rem;\n}\n.th-hero-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(3rem, 7vw, 7rem);\n  font-weight: 300;\n  line-height: 0.95;\n  color: var(--ivoire-pale);\n  letter-spacing: -0.02em;\n  margin-bottom: 2rem;\n}\n.th-hero-intro {\n  font-family: 'Spectral', serif;\n  font-size: clamp(0.95rem, 1.5vw, 1.15rem);\n  font-weight: 300;\n  font-style: italic;\n  color: var(--gris-clair);\n  max-width: 42rem;\n  line-height: 1.8;\n}\n\n\/* SECTION LABELS *\/\n.th-section-label {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.65rem;\n  letter-spacing: 0.45em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 3rem;\n  display: flex;\n  align-items: center;\n  gap: 1.5rem;\n}\n.th-section-label::after {\n  content: '';\n  flex: 1;\n  height: 1px;\n  background: linear-gradient(90deg, var(--rouge-vif), transparent);\n  max-width: 8rem;\n}\n\n\/* FEATURED CARD (Guillotine) *\/\n.th-featured {\n  background: var(--noir);\n  padding: 6rem 6vw 4rem;\n}\n.th-feat-inner {\n  display: grid;\n  grid-template-columns: 1.1fr 1fr;\n  gap: 5rem;\n  align-items: center;\n}\n.th-feat-img {\n  position: relative;\n  overflow: hidden;\n}\n.th-feat-img img {\n  width: 100%;\n  height: 480px;\n  object-fit: cover;\n  display: block;\n  filter: grayscale(20%) contrast(1.05);\n  transition: filter 0.5s ease, transform 0.5s ease;\n}\n.th-feat-img:hover img {\n  filter: grayscale(0%) contrast(1.1);\n  transform: scale(1.02);\n}\n.th-feat-img::after {\n  content: '';\n  position: absolute;\n  inset: 0;\n  background: linear-gradient(135deg, rgba(155,29,32,0.15), transparent 60%);\n  pointer-events: none;\n}\n.th-feat-tag {\n  display: inline-block;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.6rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  border: 1px solid rgba(192,39,45,0.4);\n  padding: 0.3rem 0.8rem;\n  margin-bottom: 1.5rem;\n}\n.th-feat-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(3rem, 6vw, 5.5rem);\n  font-weight: 300;\n  line-height: 0.95;\n  letter-spacing: -0.02em;\n  color: var(--ivoire-pale);\n  margin-bottom: 0.75rem;\n}\n.th-feat-sous {\n  font-family: 'Cormorant', serif;\n  font-size: 1.1rem;\n  font-style: italic;\n  color: var(--gris-clair);\n  margin-bottom: 2rem;\n}\n.th-feat-desc {\n  font-family: 'Spectral', serif;\n  font-size: 0.95rem;\n  font-weight: 300;\n  line-height: 1.85;\n  color: var(--gris-clair);\n  border-left: 2px solid rgba(155,29,32,0.3);\n  padding-left: 1.5rem;\n  margin-bottom: 2rem;\n}\n.th-feat-meta {\n  font-family: 'Spectral', serif;\n  font-size: 0.8rem;\n  font-style: italic;\n  color: var(--gris);\n  line-height: 2;\n  margin-bottom: 2rem;\n}\n.th-feat-meta strong {\n  color: var(--ivoire);\n  font-style: normal;\n  font-weight: 400;\n}\n.th-lien {\n  display: inline-flex;\n  align-items: center;\n  gap: 0.75rem;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.68rem;\n  letter-spacing: 0.25em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  text-decoration: none;\n  border-bottom: 1px solid rgba(192,39,45,0.3);\n  padding-bottom: 0.2rem;\n  transition: gap 0.3s ease, border-color 0.3s ease;\n}\n.th-lien:hover { gap: 1.25rem; border-color: var(--rouge-vif); }\n\n\/* GRILLE SPECTACLES *\/\n.th-grille {\n  background: var(--noir);\n  padding: 2rem 6vw 6rem;\n}\n.th-grille-grid {\n  display: grid;\n  grid-template-columns: repeat(3, 1fr);\n  gap: 1px;\n  background: rgba(155,29,32,0.12);\n  border: 1px solid rgba(155,29,32,0.12);\n}\n.th-card {\n  background: var(--noir);\n  text-decoration: none;\n  display: block;\n  position: relative;\n  overflow: hidden;\n  transition: background 0.3s ease;\n}\n.th-card:hover { background: #0e0e0e; }\n.th-card-img {\n  width: 100%;\n  height: 220px;\n  object-fit: cover;\n  display: block;\n  filter: grayscale(30%);\n  transition: filter 0.4s ease, transform 0.4s ease;\n}\n.th-card:hover .th-card-img {\n  filter: grayscale(0%);\n  transform: scale(1.03);\n}\n.th-card-body {\n  padding: 1.8rem;\n}\n.th-card-tag {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.58rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 0.6rem;\n  display: block;\n}\n.th-card-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(1.3rem, 2vw, 1.8rem);\n  font-weight: 300;\n  color: var(--ivoire-pale);\n  line-height: 1.15;\n  margin-bottom: 0.5rem;\n}\n.th-card-sous {\n  font-family: 'Spectral', serif;\n  font-size: 0.82rem;\n  font-style: italic;\n  color: var(--gris);\n  line-height: 1.6;\n  transition: color 0.3s ease;\n}\n.th-card:hover .th-card-sous { color: var(--gris-clair); }\n.th-card-arrow {\n  position: absolute;\n  bottom: 1.5rem;\n  right: 1.8rem;\n  font-size: 1.1rem;\n  color: var(--rouge-vif);\n  opacity: 0;\n  transform: translateX(-6px);\n  transition: opacity 0.3s ease, transform 0.3s ease;\n}\n.th-card:hover .th-card-arrow { opacity: 1; transform: translateX(0); }\n\n\/* ARCHIVES *\/\n.th-archives {\n  background: #0a0a0a;\n  padding: 6rem 6vw;\n  border-top: 1px solid rgba(155,29,32,0.15);\n}\n.th-archives-grid {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 0;\n}\n.th-arch-item {\n  padding: 1.8rem 2rem;\n  border-bottom: 1px solid rgba(155,29,32,0.1);\n  display: flex;\n  justify-content: space-between;\n  align-items: baseline;\n  gap: 1rem;\n  transition: background 0.3s ease;\n  cursor: default;\n}\n.th-arch-item:nth-child(odd) { border-right: 1px solid rgba(155,29,32,0.1); }\n.th-arch-item:hover { background: rgba(155,29,32,0.04); }\n.th-arch-info { flex: 1; }\n.th-arch-titre {\n  font-family: 'Cormorant', serif;\n  font-size: 1.25rem;\n  font-weight: 300;\n  color: var(--ivoire);\n  margin-bottom: 0.25rem;\n}\n.th-arch-detail {\n  font-family: 'Spectral', serif;\n  font-size: 0.78rem;\n  font-style: italic;\n  color: var(--gris);\n}\n.th-arch-annee {\n  font-family: 'Cormorant', serif;\n  font-size: 2rem;\n  font-weight: 300;\n  color: rgba(155,29,32,0.25);\n  flex-shrink: 0;\n  transition: color 0.3s ease;\n}\n.th-arch-item:hover .th-arch-annee { color: rgba(192,39,45,0.4); }\n\n\/* \u00c9CRITURE *\/\n.th-ecriture {\n  background: var(--noir);\n  padding: 6rem 6vw;\n  border-top: 1px solid rgba(155,29,32,0.2);\n}\n.th-ecriture-grid {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 3rem;\n  margin-bottom: 5rem;\n}\n.th-texte-card {\n  border: 1px solid rgba(155,29,32,0.15);\n  padding: 2.5rem;\n  transition: border-color 0.3s ease, background 0.3s ease;\n}\n.th-texte-card:hover {\n  border-color: rgba(192,39,45,0.35);\n  background: rgba(155,29,32,0.03);\n}\n.th-texte-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(1.6rem, 2.5vw, 2.2rem);\n  font-weight: 300;\n  font-style: italic;\n  color: var(--ivoire-pale);\n  margin-bottom: 0.5rem;\n}\n.th-texte-annee {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.62rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 1.5rem;\n  display: block;\n}\n.th-texte-extrait {\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  font-style: italic;\n  color: var(--gris-clair);\n  line-height: 1.85;\n  border-left: 2px solid rgba(155,29,32,0.25);\n  padding-left: 1rem;\n  margin-bottom: 1.5rem;\n}\n.th-texte-note {\n  font-family: 'Spectral', serif;\n  font-size: 0.78rem;\n  color: var(--gris);\n  font-style: italic;\n}\n\n\/* FORMULAIRE DROITS *\/\n.th-droits {\n  background: rgba(155,29,32,0.06);\n  border: 1px solid rgba(155,29,32,0.2);\n  padding: 3.5rem;\n  max-width: 640px;\n}\n.th-droits-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(1.8rem, 3vw, 2.5rem);\n  font-weight: 300;\n  color: var(--ivoire-pale);\n  margin-bottom: 0.5rem;\n}\n.th-droits-sub {\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  font-style: italic;\n  color: var(--gris-clair);\n  margin-bottom: 2.5rem;\n  line-height: 1.7;\n}\n.th-form-row {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 1rem;\n  margin-bottom: 1rem;\n}\n.th-form-group {\n  display: flex;\n  flex-direction: column;\n  gap: 0.4rem;\n  margin-bottom: 1rem;\n}\n.th-form-group label {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.6rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--gris-clair);\n}\n.th-form-group input,\n.th-form-group select,\n.th-form-group textarea {\n  background: rgba(255,255,255,0.04);\n  border: 1px solid rgba(155,29,32,0.25);\n  color: var(--ivoire);\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  padding: 0.75rem 1rem;\n  outline: none;\n  transition: border-color 0.3s ease;\n  width: 100%;\n}\n.th-form-group input:focus,\n.th-form-group select:focus,\n.th-form-group textarea:focus {\n  border-color: var(--rouge-vif);\n}\n.th-form-group select option { background: #111; color: var(--ivoire); }\n.th-form-group textarea { resize: vertical; min-height: 120px; }\n.th-btn {\n  display: inline-flex;\n  align-items: center;\n  gap: 0.75rem;\n  margin-top: 1rem;\n  padding: 0.9rem 2rem;\n  background: var(--rouge-vif);\n  border: none;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.7rem;\n  letter-spacing: 0.25em;\n  text-transform: uppercase;\n  color: #080808;\n  cursor: pointer;\n  transition: background 0.3s ease, gap 0.3s ease;\n}\n.th-btn:hover { background: #d42d33; gap: 1.2rem; }\n\n\/* RESPONSIVE *\/\n@media (max-width: 900px) {\n  .th-feat-inner { grid-template-columns: 1fr; gap: 2.5rem; }\n  .th-feat-img img { height: 320px; }\n  .th-grille-grid { grid-template-columns: 1fr 1fr; }\n  .th-ecriture-grid { grid-template-columns: 1fr; }\n}\n@media (max-width: 600px) {\n  .th-hero, .th-featured, .th-grille, .th-archives, .th-ecriture { padding-left: 2rem; padding-right: 2rem; }\n  .th-grille-grid { grid-template-columns: 1fr; }\n  .th-archives-grid { grid-template-columns: 1fr; }\n  .th-arch-item:nth-child(odd) { border-right: none; }\n  .th-form-row { grid-template-columns: 1fr; }\n  .th-droits { padding: 2rem; }\n}\n<\/style>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- HERO                                           -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"th-hero\">\n  <p class=\"th-hero-label\">Antoine Guillot<\/p>\n  <h1 class=\"th-hero-titre\">Th\u00e9\u00e2tre<\/h1>\n  <p class=\"th-hero-intro\">\n    Des grandes formes dramatiques aux solos biographiques, des coproductions internationales aux cr\u00e9ations de territoire \u2014 un corpus construit sur une seule conviction : le plateau est un endroit o\u00f9 il se passe quelque chose de r\u00e9el.\n  <\/p>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- R\u00c9PERTOIRE EN COURS \u2014 FEATURED : GUILLOTINE   -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"th-featured\">\n  <p class=\"th-section-label\">R\u00e9pertoire \u2014 Spectacles en cours<\/p>\n\n  <div class=\"th-feat-inner\">\n    <div class=\"th-feat-img\">\n      <img decoding=\"async\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2024\/01\/Th\u00e9o-Arifont-@theo_bjectif-GUILLOTINE-La-Compagnie-Caravelle-202312-9-2-1024x683.jpg\"\n        alt=\"Guillotine \u2014 Antoine Guillot \u00a9 Th\u00e9o Arifont\"\n        loading=\"lazy\"\n      >\n    <\/div>\n    <div>\n      <span class=\"th-feat-tag\">Performance \/ seul en sc\u00e8ne \u00b7 65 min<\/span>\n      <h2 class=\"th-feat-titre\">Guillotine<\/h2>\n      <p class=\"th-feat-sous\">Solo biographique<\/p>\n      <p class=\"th-feat-desc\">\n        Un homme seul sur sc\u00e8ne. Une agression fondatrice. Cinq tableaux pour traverser ce qui ne se dit pas \u2014 ce que le corps garde longtemps apr\u00e8s que les mots ont c\u00e9d\u00e9. Une parole sans pathos pour dire la violence, une \u00e9criture qui attaque frontalement le r\u00e9el tout en gardant la pr\u00e9cision du geste.\n      <\/p>\n      <div class=\"th-feat-meta\">\n        <strong>Texte, jeu et mise en sc\u00e8ne<\/strong> Antoine Guillot<br>\n        <strong>Dramaturgie<\/strong> Dominique Oriol<br>\n        <strong>Direction d&#8217;acteur<\/strong> Isabelle Roux-Lalisban<br>\n        <strong>Technique<\/strong> J\u00e9r\u00e9mie Buatier \u00b7 <strong>R\u00e9gie<\/strong> Camille D\u00e9georges Ruffelaere<br>\n        <strong>Travail corporel<\/strong> Erwan Fontaine<br>\n        R\u00e9sidences : Annecy \u00b7 Chamb\u00e9ry \u00b7 Nanterre \u00b7 Alger\n      <\/div>\n      <a href=\"https:\/\/www.lacompagniecaravelle.fr\/guillotine\/\" class=\"th-lien\" target=\"_blank\">Fiche compl\u00e8te sur le site Caravelle \u2192<\/a>\n    <\/div>\n  <\/div>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- GRILLE \u2014 AUTRES SPECTACLES EN COURS           -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"th-grille\">\n  <div class=\"th-grille-grid\">\n\n    <a href=\"https:\/\/www.lacompagniecaravelle.fr\/au-creux-de-la-breche\/\" class=\"th-card\" target=\"_blank\">\n      <img decoding=\"async\" class=\"th-card-img\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2023\/10\/Camille-1024x682.jpg\"\n        alt=\"Au creux de la br\u00e8che\" loading=\"lazy\">\n      <div class=\"th-card-body\">\n        <span class=\"th-card-tag\">Co-cr\u00e9ation \u00b7 2023<\/span>\n        <h3 class=\"th-card-titre\">Au creux de la br\u00e8che<\/h3>\n        <p class=\"th-card-sous\">Avec Camille D\u00e9georges Ruffelaere. Texte, son et image \u2014 une parole sur l&#8217;inceste en sept tableaux.<\/p>\n        <span class=\"th-card-arrow\">\u2192<\/span>\n      <\/div>\n    <\/a>\n\n    <a href=\"https:\/\/www.lacompagniecaravelle.fr\/paradis-perdu-sauvage-de-monde-v7-2026\/\" class=\"th-card\" target=\"_blank\">\n      <img decoding=\"async\" class=\"th-card-img\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2014\/11\/01376c6ff5c42563344b8966a248cfcfd0b01d475a-e1433316808651.jpg\"\n        alt=\"Paradis Perdu\" loading=\"lazy\">\n      <div class=\"th-card-body\">\n        <span class=\"th-card-tag\">Solo \u00b7 2008 \u2014 V7 2026<\/span>\n        <h3 class=\"th-card-titre\">Paradis Perdu<\/h3>\n        <p class=\"th-card-sous\">Version VII \u00ab Sauvage de monde \u00bb. La pi\u00e8ce fondatrice du Th\u00e9\u00e2tre Incontr\u00f4l\u00e9, toujours en vie.<\/p>\n        <span class=\"th-card-arrow\">\u2192<\/span>\n      <\/div>\n    <\/a>\n\n    <a href=\"https:\/\/www.lacompagniecaravelle.fr\/faille-temporelle\/\" class=\"th-card\" target=\"_blank\">\n      <img decoding=\"async\" class=\"th-card-img\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2026\/04\/FAT-1024x683.png\"\n        alt=\"Faille Temporelle\" loading=\"lazy\">\n      <div class=\"th-card-body\">\n        <span class=\"th-card-tag\">Cr\u00e9ation \u00b7 En cours<\/span>\n        <h3 class=\"th-card-titre\">Faille Temporelle<\/h3>\n        <p class=\"th-card-sous\">Laboratoire corporel et performatif. Avec Erwan Fontaine. Travers\u00e9e des 14 merveilles du monde.<\/p>\n        <span class=\"th-card-arrow\">\u2192<\/span>\n      <\/div>\n    <\/a>\n\n    <a href=\"https:\/\/www.lacompagniecaravelle.fr\/il-vit-taiwan\/\" class=\"th-card\" target=\"_blank\">\n      <img decoding=\"async\" class=\"th-card-img\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2025\/03\/20241210-IVT-@58kg.chuanshun-100-1024x683.jpg\"\n        alt=\"Il vit Ta\u00efwan\" loading=\"lazy\">\n      <div class=\"th-card-body\">\n        <span class=\"th-card-tag\">Coproduction franco-ta\u00efwanaise \u00b7 2024<\/span>\n        <h3 class=\"th-card-titre\">Il vit \u2014 Ta\u00efwan<\/h3>\n        <p class=\"th-card-sous\">En mandarin, avec Chih Wei Tseng. Dramaturgie Dominique Oriol. Une travers\u00e9e interculturelle de l&#8217;urgence vitale.<\/p>\n        <span class=\"th-card-arrow\">\u2192<\/span>\n      <\/div>\n    <\/a>\n\n    <a href=\"https:\/\/www.lacompagniecaravelle.fr\/lecture-il-vit\/\" class=\"th-card\" target=\"_blank\">\n      <img decoding=\"async\" class=\"th-card-img\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2023\/06\/5Lyc\u00e9e-1-1024x786.jpg\"\n        alt=\"Il vit \u2014 Lecture\" loading=\"lazy\">\n      <div class=\"th-card-body\">\n        <span class=\"th-card-tag\">Lecture \u00b7 Diffusion EAC<\/span>\n        <h3 class=\"th-card-titre\">Il vit \u2014 Lecture<\/h3>\n        <p class=\"th-card-sous\">Version lecture \/ action p\u00e9dagogique. Coll\u00e8ges, lyc\u00e9es, lieux non d\u00e9di\u00e9s. Texte et lecture : Antoine Guillot.<\/p>\n        <span class=\"th-card-arrow\">\u2192<\/span>\n      <\/div>\n    <\/a>\n\n    <a href=\"https:\/\/www.lacompagniecaravelle.fr\/guillotine-algerie\/\" class=\"th-card\" target=\"_blank\">\n      <img decoding=\"async\" class=\"th-card-img\"\n        src=\"https:\/\/www.lacompagniecaravelle.fr\/wp-content\/uploads\/2026\/01\/image-3-1024x683.png\"\n        alt=\"Guillotine Alg\u00e9rie\" loading=\"lazy\">\n      <div class=\"th-card-body\">\n        <span class=\"th-card-tag\">Cr\u00e9ation internationale \u00b7 Alger<\/span>\n        <h3 class=\"th-card-titre\">Guillotine \u2014 Alg\u00e9rie<\/h3>\n        <p class=\"th-card-sous\">Version alg\u00e9rienne de Guillotine. Travers\u00e9e m\u00e9diterran\u00e9enne d&#8217;une parole sur la violence et la reconqu\u00eate de soi.<\/p>\n        <span class=\"th-card-arrow\">\u2192<\/span>\n      <\/div>\n    <\/a>\n\n  <\/div>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- ARCHIVES                                       -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"th-archives\">\n  <p class=\"th-section-label\">Archives<\/p>\n\n  <div class=\"th-archives-grid\">\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Bastille Day<\/div>\n        <div class=\"th-arch-detail\">Cr\u00e9ation originale en anglais \u00b7 Sainte-Lucie, Cara\u00efbes \u00b7 100+ interpr\u00e8tes \u00b7 3 000 spectateurs \u00e0 Pigeon Island<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2017<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Claudel \/ Rodin<\/div>\n        <div class=\"th-arch-detail\">Avec Antoine Formica &amp; Magdalena Galindo \u00b7 Recherche sur la grande \u00e9criture po\u00e9tique<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2017<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">On commence par la fin<\/div>\n        <div class=\"th-arch-detail\">Avec Martha Gey (compagnie \u00c9coute s&#8217;il danse) \u00b7 Th\u00e9\u00e2tre et danse \u00b7 Casino d&#8217;Aix-les-Bains<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2016<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">G\u00e9nocide mon amour<\/div>\n        <div class=\"th-arch-detail\">Co-\u00e9crit avec Killian Salomon \u00b7 Centenaire du g\u00e9nocide arm\u00e9nien \u00b7 Formica, Gey, Vartanian<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2015<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Partout mon amour<\/div>\n        <div class=\"th-arch-detail\">Avec Agata Kazmierska &amp; Camille D\u00e9georges Ruffelaere<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2022<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Cabaret<\/div>\n        <div class=\"th-arch-detail\">Forme pluridisciplinaire \u00b7 Chant, danse, jeu \u00b7 La joie comme strat\u00e9gie politique<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2021<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">L&#8217;Empereur de la perte<\/div>\n        <div class=\"th-arch-detail\">D&#8217;apr\u00e8s Jan Fabre \u00b7 Compagnonnage Mus\u00e9e Faure d&#8217;Aix-les-Bains<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2011<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Blessures de guerres<\/div>\n        <div class=\"th-arch-detail\">D&#8217;apr\u00e8s G. Aimonier-Davat \u00b7 Collaboration, amour sous occupation, transmission p\u00e8re \/ fils<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2010<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Quartet<\/div>\n        <div class=\"th-arch-detail\">De Heiner M\u00fcller \u00b7 R\u00e9\u00e9criture des Liaisons dangereuses \u00b7 Accueil pol\u00e9mique<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2009<\/div>\n    <\/div>\n\n    <div class=\"th-arch-item\">\n      <div class=\"th-arch-info\">\n        <div class=\"th-arch-titre\">Amerika, suite<\/div>\n        <div class=\"th-arch-detail\">De Biljana Srbljanovi\u0107 \u00b7 Th\u00e9\u00e2tre contemporain europ\u00e9en<\/div>\n      <\/div>\n      <div class=\"th-arch-annee\">2011<\/div>\n    <\/div>\n\n  <\/div>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- \u00c9CRITURE DRAMATIQUE                            -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"th-ecriture\">\n  <p class=\"th-section-label\">\u00c9criture dramatique<\/p>\n\n  <div class=\"th-ecriture-grid\">\n\n    <div class=\"th-texte-card\">\n      <h3 class=\"th-texte-titre\">Guillotine<\/h3>\n      <span class=\"th-texte-annee\">Texte \u00b7 2023 \u00b7 SACD<\/span>\n      <p class=\"th-texte-extrait\">\n        \u00ab Paris, un matin d&#8217;octobre, il est 6 heures. Un homme s&#8217;\u00e9croule, le nez dans le caniveau. 24 heures plus tard, c&#8217;est l&#8217;h\u00f4pital o\u00f9 il se r\u00e9veille, pris au pi\u00e8ge dans son corps meurtri, paralys\u00e9\u2026 \u00bb\n      <\/p>\n      <p class=\"th-texte-note\">Texte disponible sur demande. Droits g\u00e9r\u00e9s via la SACD.<\/p>\n    <\/div>\n\n    <div class=\"th-texte-card\">\n      <h3 class=\"th-texte-titre\">Il vit<\/h3>\n      <span class=\"th-texte-annee\">Texte \u00b7 2015 \u00b7 Versions multilingues<\/span>\n      <p class=\"th-texte-extrait\">\n        \u00ab Fermer les yeux pour ne jamais revenir. Devoir dire et faire avant qu&#8217;il ne soit trop tard. Cracher \u00e0 la figure de ce monde tout le m\u00e9pris que lui porte sa g\u00e9n\u00e9ration\u2026 \u00bb\n      <\/p>\n      <p class=\"th-texte-note\">Traduit en mandarin (Ta\u00efwan, 2024). Traductions en cours. Droits et demandes de lecture : formulaire ci-dessous.<\/p>\n    <\/div>\n\n    <div class=\"th-texte-card\">\n      <h3 class=\"th-texte-titre\">Paradis Perdu<\/h3>\n      <span class=\"th-texte-annee\">Texte \u00b7 2008 \u2014 V7 2026<\/span>\n      <p class=\"th-texte-extrait\">\n        \u00ab Un com\u00e9dien tente de comprendre un monde insens\u00e9. Il cherche un pont entre lui et nous \u2014 th\u00e9\u00e2tre comme lutte, comme tentative de r\u00e9demption\u2026 \u00bb\n      <\/p>\n      <p class=\"th-texte-note\">Texte en circulation continue depuis 2008. Repris et r\u00e9activ\u00e9. Renseignements sur demande.<\/p>\n    <\/div>\n\n    <div class=\"th-texte-card\">\n      <h3 class=\"th-texte-titre\">G\u00e9nocide mon amour<\/h3>\n      <span class=\"th-texte-annee\">Texte \u00b7 2015 \u00b7 Co-\u00e9crit avec Killian Salomon<\/span>\n      <p class=\"th-texte-extrait\">\n        \u00ab Comment tenir une parole face \u00e0 l&#8217;innommable ? Comment le th\u00e9\u00e2tre peut-il approcher ce que l&#8217;histoire refuse d&#8217;absorber sans s&#8217;y br\u00fbler ? \u00bb\n      <\/p>\n      <p class=\"th-texte-note\">Cr\u00e9\u00e9 pour le centenaire du g\u00e9nocide arm\u00e9nien. Droits partag\u00e9s avec Killian Salomon. Contact via formulaire.<\/p>\n    <\/div>\n\n    <div class=\"th-texte-card\">\n      <h3 class=\"th-texte-titre\">Claudel \/ Rodin<\/h3>\n      <span class=\"th-texte-annee\">Texte \u00b7 2017 \u00b7 Nos amours folles<\/span>\n      <p class=\"th-texte-extrait\">\n        \u00ab Entre le sculpteur et son mod\u00e8le, entre le g\u00e9nie et la folie, entre la mati\u00e8re et le verbe \u2014 une recherche sur la grande \u00e9criture po\u00e9tique et le rapport entre texte et corps. \u00bb\n      <\/p>\n      <p class=\"th-texte-note\">Cr\u00e9ation avec Antoine Formica et Magdalena Galindo. Renseignements et droits via formulaire.<\/p>\n    <\/div>\n\n  <\/div>\n\n  <!-- FORMULAIRE DROITS -->\n  <div class=\"th-droits\">\n    <h3 class=\"th-droits-titre\">Demande de droits<\/h3>\n    <p class=\"th-droits-sub\">\n      Pour une demande de lecture, de repr\u00e9sentation, de traduction ou d&#8217;extrait, merci de remplir ce formulaire. Toute demande re\u00e7oit une r\u00e9ponse sous 10 jours ouvr\u00e9s.\n    <\/p>\n\n   \n<div class=\"wpcf7 no-js\" id=\"wpcf7-f202-o1\" lang=\"fr-FR\" dir=\"ltr\" data-wpcf7-id=\"202\">\n<div class=\"screen-reader-response\"><p role=\"status\" aria-live=\"polite\" aria-atomic=\"true\"><\/p> <ul><\/ul><\/div>\n<form action=\"\/index.php\/wp-json\/wp\/v2\/pages\/78#wpcf7-f202-o1\" method=\"post\" class=\"wpcf7-form init\" aria-label=\"Formulaire de contact\" novalidate=\"novalidate\" data-status=\"init\">\n<fieldset class=\"hidden-fields-container\"><input type=\"hidden\" name=\"_wpcf7\" value=\"202\" \/><input type=\"hidden\" name=\"_wpcf7_version\" value=\"6.1.6\" \/><input type=\"hidden\" name=\"_wpcf7_locale\" value=\"fr_FR\" \/><input type=\"hidden\" name=\"_wpcf7_unit_tag\" value=\"wpcf7-f202-o1\" \/><input type=\"hidden\" name=\"_wpcf7_container_post\" value=\"0\" \/><input type=\"hidden\" name=\"_wpcf7_posted_data_hash\" value=\"\" \/>\n<\/fieldset>\n<p><span class=\"wpcf7-form-control-wrap\" data-name=\"your-name\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text wpcf7-validates-as-required\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"Votre nom ou compagnie\" value=\"\" type=\"text\" name=\"your-name\" \/><\/span><br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-email\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-email wpcf7-validates-as-required wpcf7-text wpcf7-validates-as-email\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"votre@email.fr\" value=\"\" type=\"email\" name=\"your-email\" \/><\/span>\n<\/p>\n<p><span class=\"wpcf7-form-control-wrap\" data-name=\"your-text\"><select class=\"wpcf7-form-control wpcf7-select\" aria-invalid=\"false\" name=\"your-text\"><option value=\"\">\u2014 Choisir un texte \u2014<\/option><option value=\"Guillotine\">Guillotine<\/option><option value=\"Il vit\">Il vit<\/option><option value=\"Paradis Perdu\">Paradis Perdu<\/option><option value=\"G\u00e9nocide mon amour\">G\u00e9nocide mon amour<\/option><option value=\"Claudel \/ Rodin\">Claudel \/ Rodin<\/option><option value=\"Autre \/ plusieurs textes\">Autre \/ plusieurs textes<\/option><\/select><\/span>\n<\/p>\n<p><span class=\"wpcf7-form-control-wrap\" data-name=\"your-type\"><select class=\"wpcf7-form-control wpcf7-select\" aria-invalid=\"false\" name=\"your-type\"><option value=\"\">\u2014 Type de demande \u2014<\/option><option value=\"Lecture publique\">Lecture publique<\/option><option value=\"Repr\u00e9sentation\">Repr\u00e9sentation<\/option><option value=\"Traduction\">Traduction<\/option><option value=\"Extrait \/ citation\">Extrait \/ citation<\/option><option value=\"Autre\">Autre<\/option><\/select><\/span>\n<\/p>\n<p><span class=\"wpcf7-form-control-wrap\" data-name=\"your-message\"><textarea cols=\"40\" rows=\"10\" maxlength=\"2000\" class=\"wpcf7-form-control wpcf7-textarea wpcf7-validates-as-required\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"D\u00e9crivez bri\u00e8vement votre projet, le contexte et les dates envisag\u00e9es\u2026\" name=\"your-message\"><\/textarea><\/span>\n<\/p>\n<p><input class=\"wpcf7-form-control wpcf7-submit has-spinner\" type=\"submit\" value=\"Envoyer la demande \u2192\" \/>\n<\/p><p style=\"display: none !important;\" class=\"akismet-fields-container\" data-prefix=\"_wpcf7_ak_\"><label>&#916;<textarea name=\"_wpcf7_ak_hp_textarea\" cols=\"45\" rows=\"8\" maxlength=\"100\"><\/textarea><\/label><input type=\"hidden\" id=\"ak_js_1\" name=\"_wpcf7_ak_js\" value=\"243\"\/><script>\ndocument.getElementById( \"ak_js_1\" ).setAttribute( \"value\", ( new Date() ).getTime() );\n<\/script>\n<\/p><div class=\"wpcf7-response-output\" aria-hidden=\"true\"><\/div>\n<\/form>\n<\/div>\n\n  <\/div>\n\n<\/section>\n\n\n\n<!-- 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R\u00e9pertoire \u2014 Spectacles en cours Performance \/ seul en sc\u00e8ne \u00b7 65 min Guillotine Solo biographique [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-78","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":4,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages\/78\/revisions"}],"predecessor-version":[{"id":203,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages\/78\/revisions\/203"}],"wp:attachment":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/media?parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}