{"id":81,"date":"2026-04-22T11:09:22","date_gmt":"2026-04-22T09:09:22","guid":{"rendered":"https:\/\/antoineguillot.com\/?page_id=81"},"modified":"2026-04-22T19:30:24","modified_gmt":"2026-04-22T17:30:24","slug":"cinema","status":"publish","type":"page","link":"https:\/\/antoineguillot.com\/index.php\/cinema\/","title":{"rendered":"Cin\u00e9ma"},"content":{"rendered":"\n<link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Cormorant:ital,wght@0,300;0,400;1,300;1,400&#038;family=Spectral:ital,wght@0,300;0,400;1,300&#038;family=Cormorant+SC:wght@300;400&#038;display=swap\" rel=\"stylesheet\">\n<style>\n:root {\n  --noir: #080808;\n  --noir-doux: #0e0e0e;\n  --rouge: #9B1D20;\n  --rouge-vif: #C0272D;\n  --ivoire: #EDE8DC;\n  --ivoire-pale: #F5F2EB;\n  --gris: #6a6560;\n  --gris-clair: #9e9890;\n}\n\n\/* HERO *\/\n.ci-hero {\n  background: var(--noir);\n  padding: 9rem 6vw 5rem;\n  position: relative;\n  overflow: hidden;\n  border-bottom: 1px solid rgba(155,29,32,0.2);\n}\n.ci-hero::before {\n  content: 'CIN\u00c9MA';\n  position: absolute;\n  right: -1vw;\n  bottom: -1rem;\n  font-family: 'Cormorant', serif;\n  font-size: clamp(7rem, 18vw, 18rem);\n  font-weight: 300;\n  color: transparent;\n  -webkit-text-stroke: 1px rgba(155,29,32,0.1);\n  pointer-events: none;\n  line-height: 1;\n  letter-spacing: -0.03em;\n}\n.ci-label {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.65rem;\n  letter-spacing: 0.45em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 1.5rem;\n}\n.ci-hero-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(3rem, 7vw, 7rem);\n  font-weight: 300;\n  line-height: 0.95;\n  color: var(--ivoire-pale);\n  letter-spacing: -0.02em;\n  margin-bottom: 2rem;\n}\n.ci-hero-intro {\n  font-family: 'Spectral', serif;\n  font-size: clamp(0.95rem, 1.5vw, 1.15rem);\n  font-style: italic;\n  font-weight: 300;\n  color: var(--gris-clair);\n  max-width: 44rem;\n  line-height: 1.8;\n}\n\n\/* S\u00c9PARATEUR DE SECTION *\/\n.ci-section {\n  padding: 6rem 6vw;\n  background: var(--noir);\n}\n.ci-section.alt { background: #0a0a0a; }\n.ci-section-header {\n  display: flex;\n  align-items: center;\n  gap: 2rem;\n  margin-bottom: 4rem;\n}\n.ci-section-num {\n  font-family: 'Cormorant', serif;\n  font-size: 5rem;\n  font-weight: 300;\n  color: rgba(155,29,32,0.2);\n  line-height: 1;\n  flex-shrink: 0;\n}\n.ci-section-info {}\n.ci-section-cat {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.65rem;\n  letter-spacing: 0.4em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 0.3rem;\n}\n.ci-section-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(1.8rem, 3.5vw, 3rem);\n  font-weight: 300;\n  color: var(--ivoire-pale);\n  line-height: 1.1;\n}\n.ci-section-desc {\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  font-style: italic;\n  color: var(--gris);\n  line-height: 1.7;\n  max-width: 36rem;\n  margin-top: 0.5rem;\n}\n\n\/* FILM FEATURED *\/\n.ci-film-featured {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 5rem;\n  align-items: center;\n  margin-bottom: 3rem;\n  border: 1px solid rgba(155,29,32,0.15);\n}\n.ci-film-featured.reverse { direction: rtl; }\n.ci-film-featured.reverse > * { direction: ltr; }\n.ci-film-img-wrap {\n  position: relative;\n  overflow: hidden;\n  height: 440px;\n}\n.ci-film-img-wrap img {\n  width: 100%;\n  height: 100%;\n  object-fit: cover;\n  display: block;\n  filter: grayscale(20%) contrast(1.05);\n  transition: filter 0.5s ease, transform 0.5s ease;\n}\n.ci-film-img-wrap:hover img {\n  filter: grayscale(0%) contrast(1.1);\n  transform: scale(1.03);\n}\n.ci-film-img-placeholder {\n  width: 100%;\n  height: 440px;\n  background: linear-gradient(135deg, #1a1010, #0f0808);\n  display: flex;\n  align-items: center;\n  justify-content: center;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.65rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: rgba(155,29,32,0.4);\n}\n.ci-film-body {\n  padding: 3rem;\n}\n.ci-film-tag {\n  display: inline-block;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.58rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  border: 1px solid rgba(192,39,45,0.35);\n  padding: 0.25rem 0.75rem;\n  margin-bottom: 1.5rem;\n}\n.ci-film-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(2rem, 4vw, 3.5rem);\n  font-weight: 300;\n  line-height: 1;\n  letter-spacing: -0.02em;\n  color: var(--ivoire-pale);\n  margin-bottom: 0.5rem;\n}\n.ci-film-sous {\n  font-family: 'Spectral', serif;\n  font-size: 0.85rem;\n  font-style: italic;\n  color: var(--gris-clair);\n  margin-bottom: 1.8rem;\n}\n.ci-film-desc {\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  font-weight: 300;\n  line-height: 1.85;\n  color: var(--gris-clair);\n  border-left: 2px solid rgba(155,29,32,0.25);\n  padding-left: 1.2rem;\n  margin-bottom: 1.8rem;\n}\n.ci-film-meta {\n  font-family: 'Spectral', serif;\n  font-size: 0.78rem;\n  font-style: italic;\n  color: var(--gris);\n  line-height: 2.1;\n}\n.ci-film-meta strong {\n  color: var(--ivoire);\n  font-style: normal;\n  font-weight: 400;\n}\n.ci-distinction {\n  display: inline-flex;\n  align-items: center;\n  gap: 0.6rem;\n  margin-top: 1.2rem;\n  padding: 0.5rem 1rem;\n  background: rgba(155,29,32,0.12);\n  border-left: 2px solid var(--rouge-vif);\n  font-family: 'Spectral', serif;\n  font-size: 0.78rem;\n  font-style: italic;\n  color: var(--ivoire);\n}\n\n\/* FILM CARD (secondaire) *\/\n.ci-film-card {\n  display: grid;\n  grid-template-columns: 280px 1fr;\n  gap: 0;\n  border: 1px solid rgba(155,29,32,0.12);\n  transition: border-color 0.3s ease, background 0.3s ease;\n}\n.ci-film-card:hover {\n  border-color: rgba(192,39,45,0.3);\n  background: rgba(155,29,32,0.03);\n}\n.ci-card-img {\n  height: 220px;\n  overflow: hidden;\n}\n.ci-card-img img {\n  width: 100%;\n  height: 100%;\n  object-fit: cover;\n  filter: grayscale(30%);\n  transition: filter 0.4s ease;\n}\n.ci-film-card:hover .ci-card-img img { filter: grayscale(0%); }\n.ci-card-placeholder {\n  width: 100%;\n  height: 220px;\n  background: linear-gradient(135deg, #161010, #0c0808);\n  display: flex;\n  align-items: center;\n  justify-content: center;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.6rem;\n  letter-spacing: 0.25em;\n  color: rgba(155,29,32,0.35);\n}\n.ci-card-body {\n  padding: 2rem 2.5rem;\n  display: flex;\n  flex-direction: column;\n  justify-content: center;\n}\n.ci-card-tag {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.58rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--rouge-vif);\n  margin-bottom: 0.6rem;\n  display: block;\n}\n.ci-card-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(1.4rem, 2.5vw, 2rem);\n  font-weight: 300;\n  color: var(--ivoire-pale);\n  line-height: 1.1;\n  margin-bottom: 0.4rem;\n}\n.ci-card-sous {\n  font-family: 'Spectral', serif;\n  font-size: 0.82rem;\n  font-style: italic;\n  color: var(--gris);\n  line-height: 1.6;\n  margin-bottom: 1rem;\n}\n.ci-card-meta {\n  font-family: 'Spectral', serif;\n  font-size: 0.75rem;\n  font-style: italic;\n  color: var(--gris);\n  line-height: 1.9;\n}\n.ci-card-meta strong { color: var(--gris-clair); font-style: normal; font-weight: 400; }\n\n\/* APPROCHE *\/\n.ci-approche {\n  background: var(--rouge-vif);\n  padding: 6rem 6vw;\n  position: relative;\n  overflow: hidden;\n}\n.ci-approche::before {\n  content: 'SCRIPT DOCTOR';\n  position: absolute;\n  font-family: 'Cormorant', serif;\n  font-size: 12vw;\n  font-weight: 300;\n  color: rgba(0,0,0,0.1);\n  white-space: nowrap;\n  top: 50%;\n  left: -1rem;\n  transform: translateY(-50%);\n  pointer-events: none;\n  letter-spacing: -0.02em;\n}\n.ci-approche-inner {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 5rem;\n  align-items: center;\n  position: relative;\n  z-index: 1;\n}\n.ci-approche-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(2rem, 4vw, 3.5rem);\n  font-weight: 300;\n  color: #080808;\n  line-height: 1.05;\n  margin-bottom: 0.5rem;\n}\n.ci-approche-titre em { font-style: italic; }\n.ci-approche-label {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.62rem;\n  letter-spacing: 0.4em;\n  text-transform: uppercase;\n  color: rgba(0,0,0,0.4);\n  margin-bottom: 1rem;\n}\n.ci-approche-texte {\n  font-family: 'Spectral', serif;\n  font-size: 1rem;\n  font-style: italic;\n  color: rgba(8,8,8,0.72);\n  line-height: 1.85;\n  border-left: 2px solid rgba(0,0,0,0.2);\n  padding-left: 1.5rem;\n}\n.ci-services {\n  margin-top: 2rem;\n  display: flex;\n  flex-direction: column;\n  gap: 0.75rem;\n}\n.ci-service {\n  display: flex;\n  align-items: flex-start;\n  gap: 1rem;\n  font-family: 'Spectral', serif;\n  font-size: 0.88rem;\n  color: rgba(8,8,8,0.7);\n}\n.ci-service::before {\n  content: '\u2014';\n  color: rgba(8,8,8,0.35);\n  flex-shrink: 0;\n  font-family: 'Cormorant', serif;\n}\n\n\/* FORMULAIRE *\/\n.ci-contact {\n  background: var(--noir-doux);\n  padding: 6rem 6vw;\n  border-top: 1px solid rgba(155,29,32,0.2);\n}\n.ci-contact-inner {\n  display: grid;\n  grid-template-columns: 1fr 1.4fr;\n  gap: 6rem;\n  align-items: start;\n}\n.ci-contact-left {}\n.ci-contact-titre {\n  font-family: 'Cormorant', serif;\n  font-size: clamp(2rem, 4vw, 3.5rem);\n  font-weight: 300;\n  color: var(--ivoire-pale);\n  line-height: 1.05;\n  margin-bottom: 1rem;\n}\n.ci-contact-titre em { font-style: italic; color: var(--rouge-vif); }\n.ci-contact-sub {\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  font-style: italic;\n  color: var(--gris-clair);\n  line-height: 1.8;\n}\n.ci-form-group {\n  display: flex;\n  flex-direction: column;\n  gap: 0.4rem;\n  margin-bottom: 1rem;\n}\n.ci-form-row {\n  display: grid;\n  grid-template-columns: 1fr 1fr;\n  gap: 1rem;\n  margin-bottom: 1rem;\n}\n.ci-form-group label {\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.58rem;\n  letter-spacing: 0.3em;\n  text-transform: uppercase;\n  color: var(--gris-clair);\n}\n.ci-form-group input,\n.ci-form-group select,\n.ci-form-group textarea {\n  background: rgba(255,255,255,0.04);\n  border: 1px solid rgba(155,29,32,0.25);\n  color: var(--ivoire);\n  font-family: 'Spectral', serif;\n  font-size: 0.9rem;\n  padding: 0.75rem 1rem;\n  outline: none;\n  transition: border-color 0.3s ease;\n  width: 100%;\n}\n.ci-form-group input:focus,\n.ci-form-group select:focus,\n.ci-form-group textarea:focus { border-color: var(--rouge-vif); }\n.ci-form-group select option { background: #111; color: var(--ivoire); }\n.ci-form-group textarea { resize: vertical; min-height: 130px; }\n.ci-btn {\n  display: inline-flex;\n  align-items: center;\n  gap: 0.75rem;\n  margin-top: 0.5rem;\n  padding: 0.9rem 2rem;\n  background: var(--rouge-vif);\n  border: none;\n  font-family: 'Cormorant SC', serif;\n  font-size: 0.7rem;\n  letter-spacing: 0.25em;\n  text-transform: uppercase;\n  color: #080808;\n  cursor: pointer;\n  transition: background 0.3s ease, gap 0.3s ease;\n}\n.ci-btn:hover { background: #d42d33; gap: 1.2rem; }\n\n\/* RESPONSIVE *\/\n@media (max-width: 900px) {\n  .ci-film-featured { grid-template-columns: 1fr; gap: 0; }\n  .ci-film-featured.reverse { direction: ltr; }\n  .ci-film-img-wrap, .ci-film-img-placeholder { height: 300px; }\n  .ci-film-card { grid-template-columns: 1fr; }\n  .ci-card-img, .ci-card-placeholder { height: 220px; width: 100%; }\n  .ci-approche-inner { grid-template-columns: 1fr; gap: 2.5rem; }\n  .ci-contact-inner { grid-template-columns: 1fr; gap: 3rem; }\n  .ci-form-row { grid-template-columns: 1fr; }\n}\n@media (max-width: 600px) {\n  .ci-hero, .ci-section, .ci-approche, .ci-contact { padding-left: 2rem; padding-right: 2rem; }\n  .ci-film-body { padding: 2rem; }\n}\n<\/style>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- HERO                                           -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"ci-hero\">\n  <p class=\"ci-label\">Antoine Guillot<\/p>\n  <h1 class=\"ci-hero-titre\">Cin\u00e9ma<\/h1>\n  <p class=\"ci-hero-intro\">\n    \u00c9crire pour l&#8217;\u00e9cran ou jouer devant la cam\u00e9ra \u2014 deux fa\u00e7ons d&#8217;exercer la m\u00eame attention : la pr\u00e9cision du geste, la v\u00e9rit\u00e9 du corps, le politique rendu sensible par l&#8217;intime. Le cin\u00e9ma, pour Antoine Guillot, est une extension naturelle du plateau, pas un territoire \u00e9tranger.\n  <\/p>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- SECTION I \u2014 SCRIPT DOCTOR & DRAMATURGISTE      -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"ci-section\">\n\n  <div class=\"ci-section-header\">\n    <div class=\"ci-section-num\">I<\/div>\n    <div class=\"ci-section-info\">\n      <p class=\"ci-section-cat\">Dramaturgie \u00b7 \u00c9criture \u00b7 Collaboration<\/p>\n      <h2 class=\"ci-section-titre\">Script doctor<br>&amp; dialoguiste<\/h2>\n      <p class=\"ci-section-desc\">Accompagnement dramaturgique \u00e0 l&#8217;\u00e9cran \u2014 structure, dialogues, sous-titrage. Une pr\u00e9sence dans l&#8217;\u00e9criture qui commence avant le tournage et suit le film jusqu&#8217;\u00e0 sa sortie.<\/p>\n    <\/div>\n  <\/div>\n\n  <!-- LA DERNI\u00c8RE REINE \u2014 FEATURED -->\n  <!-- Image sugg\u00e9r\u00e9e : t\u00e9l\u00e9charge l'affiche officielle sur jour2fete.com ou allocine.fr -->\n  <div class=\"ci-film-featured\" style=\"margin-bottom:2rem;\">\n    <div class=\"ci-film-img-wrap\">\n      <!-- REMPLACE src ci-dessous par ton image upload\u00e9e -->\n      <img decoding=\"async\" src=\"http:\/\/antoineguillot.com\/wp-content\/uploads\/2026\/04\/Affiche-22la-derniere-reine22-768x1024-1.jpeg\" alt=\"Affiche La Derni\u00e8re Reine\" loading=\"lazy\" style=\"width:100%;height:100%;object-fit:cover;\">\n    <\/div>\n    <div class=\"ci-film-body\">\n      <span class=\"ci-film-tag\">Long-m\u00e9trage \u00b7 Script doctor \u00b7 Dialoguiste \u00b7 Sous-titreur<\/span>\n      <h3 class=\"ci-film-titre\">La Derni\u00e8re Reine<\/h3>\n      <p class=\"ci-film-sous\">Adila Bendimerad &amp; Damien Ounouri \u2014 Alg\u00e9rie \/ France, 2023 \u00b7 1h53<\/p>\n      <p class=\"ci-film-desc\">\n        Alger, 1516. Lorsque le corsaire Aroudj Barberousse lib\u00e8re la ville des Espagnols et s&#8217;empare du tr\u00f4ne, une femme lui tient t\u00eate : la reine Zaphira. Entre histoire et l\u00e9gende, une \u00e9pop\u00e9e somptueuse sur l&#8217;effacement des femmes dans l&#8217;Histoire \u2014 et leur r\u00e9sistance.\n      <\/p>\n      <div class=\"ci-film-meta\">\n        <strong>R\u00e9alisation<\/strong> Adila Bendimerad &amp; Damien Ounouri<br>\n        <strong>Avec<\/strong> Adila Bendimerad, Dali Benssalah, Nadia Tereszkiewicz, Mohamed Tahar Zaoui, Imen No\u00ebl<br>\n        <strong>R\u00f4le d&#8217;Antoine Guillot<\/strong> Script doctor, dialoguiste, sous-titreur<br>\n        <strong>Production<\/strong> Taj Intaj \/ Agat Films \u00b7 Distribution France : Jour2f\u00eate\n      <\/div>\n      <div class=\"ci-distinction\">\n        \u2726 Mention sp\u00e9ciale auteurs de moins de 40 ans \u2014 Mostra de Venise 2022 (Giornate degli Autori)\n      <\/div>\n    <\/div>\n  <\/div>\n\n  <!-- EL ZAHIA -->\n  <div class=\"ci-film-card\">\n    <div class=\"ci-card-img\">\n      <!-- REMPLACE src ci-dessous par ton image upload\u00e9e -->\n      <img decoding=\"async\" src=\"http:\/\/antoineguillot.com\/wp-content\/uploads\/2026\/04\/el-zahia.jpg\" alt=\"El Zahia\" loading=\"lazy\" style=\"width:100%;height:100%;object-fit:cover;\">\n    <\/div>\n    <div class=\"ci-card-body\">\n      <span class=\"ci-card-tag\">Long-m\u00e9trage \u00b7 Sc\u00e9nario \u00b7 ONDA 2024<\/span>\n      <h3 class=\"ci-card-titre\">El Zahia<\/h3>\n      <p class=\"ci-card-sous\">Alger, 1926. Un projet de cin\u00e9ma historique alg\u00e9rien d\u00e9velopp\u00e9 avec Adila Bendimerad &amp; Damien Ounouri.<\/p>\n      <div class=\"ci-card-meta\">\n        <strong>R\u00f4le<\/strong> Accompagnement \u00e0 l&#8217;\u00e9criture du sc\u00e9nario<br>\n        <strong>Soutien<\/strong> ONDA (Office National des Droits d&#8217;Auteur, Alg\u00e9rie) \u00b7 2024<br>\n        <strong>Statut<\/strong> En d\u00e9veloppement\n      <\/div>\n    <\/div>\n  <\/div>\n\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- APPROCHE SCRIPT DOCTOR                         -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"ci-approche\">\n  <div class=\"ci-approche-inner\">\n    <div>\n      <p class=\"ci-approche-label\">M\u00e9thode<\/p>\n      <h2 class=\"ci-approche-titre\">Ce que<br>le plateau<br><em>apporte \u00e0 l&#8217;\u00e9cran<\/em><\/h2>\n    <\/div>\n    <div>\n      <p class=\"ci-approche-texte\">\n        Quinze ans de plateau forment une fa\u00e7on d&#8217;entendre un texte \u2014 de sentir o\u00f9 une sc\u00e8ne tient debout, o\u00f9 elle vacille, o\u00f9 le dialogue sonne faux ou trop vrai. Le travail de script doctor est pour Antoine Guillot une dramaturgie appliqu\u00e9e : structurer, densifier, trouver la juste \u00e9conomie du mot dans l&#8217;image. Pas r\u00e9\u00e9crire \u00e0 la place \u2014 accompagner jusqu&#8217;\u00e0 ce que le film soit pleinement lui-m\u00eame.\n      <\/p>\n      <div class=\"ci-services\">\n        <div class=\"ci-service\">Analyse et restructuration dramaturgique<\/div>\n        <div class=\"ci-service\">R\u00e9\u00e9criture et travail sur les dialogues<\/div>\n        <div class=\"ci-service\">Adaptation et sous-titrage (fran\u00e7ais \/ arabe)<\/div>\n        <div class=\"ci-service\">Accompagnement en r\u00e9sidence d&#8217;\u00e9criture<\/div>\n      <\/div>\n    <\/div>\n  <\/div>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- SECTION II \u2014 ACTEUR                            -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"ci-section alt\">\n\n  <div class=\"ci-section-header\">\n    <div class=\"ci-section-num\">II<\/div>\n    <div class=\"ci-section-info\">\n      <p class=\"ci-section-cat\">Jeu \u00b7 Interpr\u00e9tation<\/p>\n      <h2 class=\"ci-section-titre\">Acteur<\/h2>\n      <p class=\"ci-section-desc\">Une pr\u00e9sence au service du film \u2014 avec l&#8217;\u0153il du metteur en sc\u00e8ne, le corps de l&#8217;acteur de plateau.<\/p>\n    <\/div>\n  <\/div>\n\n  <!-- LE TITANIC \u2014 FEATURED -->\n  <!-- Image sugg\u00e9r\u00e9e : t\u00e9l\u00e9charge l'affiche sur allocine.fr\/film\/fichefilm_gen_cfilm=1000021892 -->\n  <div class=\"ci-film-featured reverse\" style=\"margin-bottom:2rem;\">\n    <div class=\"ci-film-img-wrap\">\n      <!-- REMPLACE src ci-dessous par ton image upload\u00e9e -->\n      <img decoding=\"async\" src=\"http:\/\/antoineguillot.com\/wp-content\/uploads\/2026\/04\/images.jpeg\" alt=\"Le jour o\u00f9 le Titanic a coul\u00e9\" loading=\"lazy\" style=\"width:100%;height:100%;object-fit:cover;\">\n    <\/div>\n    <div class=\"ci-film-body\">\n      <span class=\"ci-film-tag\">Court-m\u00e9trage \u00b7 14 min \u00b7 S\u00e9lection FIFFH 2025<\/span>\n      <h3 class=\"ci-film-titre\">Le jour o\u00f9 le Titanic a coul\u00e9<\/h3>\n      <p class=\"ci-film-sous\">Pierre-Yves Bezat \u2014 France, 2025 \u00b7 Silverbelt Films<\/p>\n      <p class=\"ci-film-desc\">\n        Aix-les-Bains, avril 1912. Le banquier JP Morgan s\u00e9journe dans un palace la nuit o\u00f9 son paquebot coule. Un groom doit lui annoncer la nouvelle. Fiction historique tourn\u00e9e dans les palaces aixois \u2014 le Splendide, le Ch\u00e2teau Brachet \u2014 avec une pr\u00e9cision de reconstitution d&#8217;\u00e9poque remarqu\u00e9e par le public et les festivals.\n      <\/p>\n      <div class=\"ci-film-meta\">\n        <strong>R\u00e9alisation<\/strong> Pierre-Yves Bezat<br>\n        <strong>Avec<\/strong> Patrick Chesnais, Carl Malapa, Clara Antoons, G\u00e9rard Lanvin, Antoine Guillot, J\u00e9r\u00e9mie Buatier<br>\n        <strong>R\u00f4le d&#8217;Antoine Guillot<\/strong> Chef du personnel de l&#8217;h\u00f4tel<br>\n        <strong>Lieux de tournage<\/strong> Le Splendide \u00b7 Ch\u00e2teau Brachet \u00b7 Aix-les-Bains\n      <\/div>\n    <\/div>\n  <\/div>\n\n  <!-- TEMPO -->\n  <div class=\"ci-film-card\">\n    <div class=\"ci-card-img\">\n      <!-- REMPLACE src ci-dessous par ton image upload\u00e9e -->\n      <img decoding=\"async\" src=\"http:\/\/antoineguillot.com\/wp-content\/uploads\/2026\/04\/J3-4-23-Moyenne.jpeg\" alt=\"Tempo\" loading=\"lazy\" style=\"width:100%;height:100%;object-fit:cover;\">\n    <\/div>\n    <div class=\"ci-card-body\">\n      <span class=\"ci-card-tag\">Court-m\u00e9trage \u00b7 2025 \u00b7 Silverbelt Films<\/span>\n      <h3 class=\"ci-card-titre\">Tempo<\/h3>\n      <p class=\"ci-card-sous\">Une cheffe d&#8217;orchestre au c\u0153ur d&#8217;un scandale. Entre salle de concert et gestion de crise, le temps s&#8217;emballe.<\/p>\n      <div class=\"ci-card-meta\">\n        <strong>R\u00e9alisation<\/strong> Pierre-Yves Bezat<br>\n        <strong>Avec<\/strong> Anne Consigny, Andr\u00e9 Marcon, Antoine Guillot, Nicolas Sauze<br>\n        <strong>Lieux<\/strong> Th\u00e9\u00e2tre du Casino Grand Cercle \u00b7 Ch\u00e2teau Brachet \u00b7 Aix-les-Bains<br>\n        <strong>Tournage<\/strong> D\u00e9cembre 2025\n      <\/div>\n    <\/div>\n  <\/div>\n\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- FORMULAIRE DE CONTACT CIN\u00c9MA                  -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<section class=\"ci-contact\">\n  <div class=\"ci-contact-inner\">\n\n    <div class=\"ci-contact-left\">\n      <h2 class=\"ci-contact-titre\">Un projet<br><em>de cin\u00e9ma ?<\/em><\/h2>\n      <p class=\"ci-contact-sub\">\n        Pour une mission de script doctor, de travail sur les dialogues, d&#8217;adaptation ou pour envisager une collaboration au jeu \u2014 d\u00e9crivez votre projet. Toute demande re\u00e7oit une r\u00e9ponse sous 10 jours ouvr\u00e9s.\n      <\/p>\n    <\/div>\n\n   <div class=\"ci-cf7-wrap\">\n  \n<div class=\"wpcf7 no-js\" id=\"wpcf7-f206-o1\" lang=\"fr-FR\" dir=\"ltr\" data-wpcf7-id=\"206\">\n<div class=\"screen-reader-response\"><p role=\"status\" aria-live=\"polite\" aria-atomic=\"true\"><\/p> <ul><\/ul><\/div>\n<form action=\"\/index.php\/wp-json\/wp\/v2\/pages\/81#wpcf7-f206-o1\" method=\"post\" class=\"wpcf7-form init\" aria-label=\"Formulaire de contact\" novalidate=\"novalidate\" data-status=\"init\">\n<fieldset class=\"hidden-fields-container\"><input type=\"hidden\" name=\"_wpcf7\" value=\"206\" \/><input type=\"hidden\" name=\"_wpcf7_version\" value=\"6.1.6\" \/><input type=\"hidden\" name=\"_wpcf7_locale\" value=\"fr_FR\" \/><input type=\"hidden\" name=\"_wpcf7_unit_tag\" value=\"wpcf7-f206-o1\" \/><input type=\"hidden\" name=\"_wpcf7_container_post\" value=\"0\" \/><input type=\"hidden\" name=\"_wpcf7_posted_data_hash\" value=\"\" \/>\n<\/fieldset>\n<div class=\"ci-cf7-row\">\n\t<div class=\"ci-cf7-group\">\n\t\t<p><label>Nom \/ Structure<\/label><br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-name\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text wpcf7-validates-as-required\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"Votre nom ou soci\u00e9t\u00e9\" value=\"\" type=\"text\" name=\"your-name\" \/><\/span>\n\t\t<\/p>\n\t<\/div>\n\t<div class=\"ci-cf7-group\">\n\t\t<p><label>Email<\/label><br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-email\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-email wpcf7-validates-as-required wpcf7-text wpcf7-validates-as-email\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"votre@email.fr\" value=\"\" type=\"email\" name=\"your-email\" \/><\/span>\n\t\t<\/p>\n\t<\/div>\n<\/div>\n<div class=\"ci-cf7-group\">\n\t<p><label>Type de collaboration souhait\u00e9e<\/label><br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-type\"><select class=\"wpcf7-form-control wpcf7-select\" aria-invalid=\"false\" name=\"your-type\"><option value=\"\">\u2014 Choisir \u2014<\/option><option value=\"Script doctor \/ analyse dramaturgique\">Script doctor \/ analyse dramaturgique<\/option><option value=\"R\u00e9\u00e9criture des dialogues\">R\u00e9\u00e9criture des dialogues<\/option><option value=\"Adaptation \/ sous-titrage\">Adaptation \/ sous-titrage<\/option><option value=\"Proposition de r\u00f4le (jeu)\">Proposition de r\u00f4le (jeu)<\/option><option value=\"Autre\">Autre<\/option><\/select><\/span>\n\t<\/p>\n<\/div>\n<div class=\"ci-cf7-group\">\n\t<p><label>Format du projet<\/label><br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-format\"><select class=\"wpcf7-form-control wpcf7-select\" aria-invalid=\"false\" name=\"your-format\"><option value=\"\">\u2014 Format \u2014<\/option><option value=\"Court-m\u00e9trage\">Court-m\u00e9trage<\/option><option value=\"Long-m\u00e9trage\">Long-m\u00e9trage<\/option><option value=\"S\u00e9rie\">S\u00e9rie<\/option><option value=\"Documentaire\">Documentaire<\/option><option value=\"Autre\">Autre<\/option><\/select><\/span>\n\t<\/p>\n<\/div>\n<div class=\"ci-cf7-group\">\n\t<p><label>Votre projet<\/label><br \/>\n<span class=\"wpcf7-form-control-wrap\" data-name=\"your-message\"><textarea cols=\"40\" rows=\"10\" maxlength=\"2000\" class=\"wpcf7-form-control wpcf7-textarea wpcf7-validates-as-required\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"D\u00e9crivez votre projet : genre, th\u00e8me, stade d&#039;avancement, calendrier envisag\u00e9\u2026\" name=\"your-message\"><\/textarea><\/span>\n\t<\/p>\n<\/div>\n<p><input class=\"wpcf7-form-control wpcf7-submit has-spinner ci-btn\" type=\"submit\" value=\"Envoyer \u2192\" \/>\n<\/p><p style=\"display: none !important;\" class=\"akismet-fields-container\" data-prefix=\"_wpcf7_ak_\"><label>&#916;<textarea name=\"_wpcf7_ak_hp_textarea\" cols=\"45\" rows=\"8\" maxlength=\"100\"><\/textarea><\/label><input type=\"hidden\" id=\"ak_js_1\" name=\"_wpcf7_ak_js\" value=\"247\"\/><script>\ndocument.getElementById( \"ak_js_1\" ).setAttribute( \"value\", ( new Date() ).getTime() );\n<\/script>\n<\/p><div class=\"wpcf7-response-output\" aria-hidden=\"true\"><\/div>\n<\/form>\n<\/div>\n\n<\/div>\n  <\/div>\n<\/section>\n\n\n\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n<!-- SCROLL REVEAL                                  -->\n<!-- \u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550\u2550 -->\n\n<script>\ndocument.addEventListener('DOMContentLoaded', function() {\n  var els = document.querySelectorAll('.ci-film-featured, .ci-film-card, .ci-section-header, .ci-approche-inner, .ci-contact-inner');\n  var obs = new IntersectionObserver(function(entries) {\n    entries.forEach(function(e) {\n      if (e.isIntersecting) {\n        e.target.style.opacity = '1';\n        e.target.style.transform = 'translateY(0)';\n        obs.unobserve(e.target);\n      }\n    });\n  }, { threshold: 0.08 });\n  els.forEach(function(el, i) {\n    el.style.opacity = '0';\n    el.style.transform = 'translateY(24px)';\n    el.style.transition = 'opacity 0.8s ease ' + (i * 0.08) + 's, transform 0.8s ease ' + (i * 0.08) + 's';\n    obs.observe(el);\n  });\n});\n<\/script>\n\n","protected":false},"excerpt":{"rendered":"<p>Antoine Guillot Cin\u00e9ma \u00c9crire pour l&#8217;\u00e9cran ou jouer devant la cam\u00e9ra \u2014 deux fa\u00e7ons d&#8217;exercer la m\u00eame attention : la pr\u00e9cision du geste, la v\u00e9rit\u00e9 du corps, le politique rendu sensible par l&#8217;intime. Le cin\u00e9ma, pour Antoine Guillot, est une extension naturelle du plateau, pas un territoire \u00e9tranger. I Dramaturgie \u00b7 \u00c9criture \u00b7 Collaboration Script [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":9,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"predecessor-version":[{"id":207,"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/pages\/81\/revisions\/207"}],"wp:attachment":[{"href":"https:\/\/antoineguillot.com\/index.php\/wp-json\/wp\/v2\/media?parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}